Sign In

Asian-African Conference Museum: Bandung’s Historic Hall

Asian-African Conference Museum: what you will see

The Asian-African Conference Museum, or Museum Konferensi Asia Afrika, occupies Gedung Merdeka on Jalan Asia Afrika in central Bandung. It preserves the story of the 1955 Bandung Conference and the hall where delegates met. Go for the close connection between the exhibits and the place itself: photographs and documents explain the conference, while the room makes its scale and setting easier to picture.

The museum is most rewarding for visitors interested in twentieth-century history, diplomacy, decolonisation or Bandung’s built heritage. Give yourself time to look at the conference material in sequence, then notice how the building’s earlier and later uses sit around that central event. The address is Jalan Asia Afrika No. 65, beside the historic core; it fits naturally into a day that also includes Gedung Sate or a walk along Braga Street.

Why Bandung hosted the 1955 conference

The Asian-African Conference met in Bandung from 18 to 24 April 1955. Indonesia hosted it with Burma, Ceylon, India and Pakistan as the five convening countries. Twenty-nine countries took part. Many had recently become independent; others were still confronting colonial rule. Delegates came from across Asia and Africa, regions whose political circumstances differed, but whose governments shared urgent questions about sovereignty, racial equality, peace and economic and cultural cooperation.

The setting mattered. The meeting was held at a time when international politics was heavily shaped by rivalry between powerful blocs. The participating governments wanted room to state their own priorities and build relationships across regional and ideological differences. The conference was not a single unified movement, and its participants did not agree on every question. Its significance lies partly in the fact that governments with distinct interests met on their own terms and produced a shared statement despite those differences.

The conference’s final communiqué addressed economic and cultural cooperation, human rights and self-determination, problems of dependent peoples, world peace, and cooperation among participating countries. Its best-known section is the Ten Principles of Bandung, or Dasasila Bandung. These principles affirm respect for human rights and the purposes of the United Nations Charter; sovereignty and territorial integrity; equality among nations and races; non-interference; the right of self-defence; rejection of pressure by great powers; restraint from aggression; peaceful settlement of disputes; mutual interest and cooperation; and respect for justice and international obligations.

These statements were not an abstract museum theme added later. They were the negotiated conclusion of a week of sessions. Reading them as a list can make them seem self-evident; the historical point is that newly independent and independence-seeking countries were asserting that these standards applied to them equally. The document links the conference’s public symbolism to practical questions of state relations: who decides a country’s future, how disputes should be handled, and whether cooperation can happen without domination.

The meeting later became an important reference point for the Non-Aligned Movement, formally founded in 1961. It is more accurate to describe Bandung as an influence and precursor than as the movement’s formal launch. The museum helps visitors place the conference within that longer story without collapsing the two events into one.

Gedung Merdeka before and after the conference

The conference venue was known as Sociëteit Concordia before it became Gedung Merdeka. The first building on the site dates to 1895 and served as a social and recreational club for Bandung’s Dutch colonial community. The building was substantially remodelled in the 1920s; the heritage record names C.P. Wolff Schoemaker, Aalbers and Van Gallen in connection with the 1926 renovation. This layered history matters when looking at the hall: it was not built for the 1955 gathering, but adapted from a colonial institution into the setting for a meeting that challenged colonial relations.

On 7 April 1955, shortly before the conference, President Sukarno renamed the building Gedung Merdeka, meaning Freedom Building, and part of the former Great East Road became Jalan Asia Afrika. These names gave the venue and its approach a public meaning aligned with the occasion. The hall therefore carries two histories at once: its architecture reflects Bandung’s colonial-era social world, while its post-independence name marks a deliberate change in political identity.

After the conference, the building continued to serve public and government functions, including use by the Constituent Assembly and the Provisional People’s Consultative Assembly. In 1980, the museum was inaugurated there for the conference’s twenty-fifth anniversary. The decision to establish it in the same building connects commemoration to physical evidence: visitors are not only reading about a historic meeting in a gallery, but entering the place associated with it.

Expect the building to be part of the interpretation rather than a neutral container. The original club, the renamed national landmark and the conference venue belong to different periods and power structures. Seeing them together gives the visit more depth than treating the hall as a photogenic backdrop. The museum’s focus is especially clear for travellers who have also seen Bandung’s other civic landmarks; the Bandung guide places these sites within the city’s wider historic centre.

How the museum presents the conference

The permanent exhibition includes three-dimensional objects and documentary photographs connected with the Tugu meeting, the Colombo Conference, the Bogor Conference and the Asian-African Conference itself. That sequence shows the diplomatic groundwork rather than presenting April 1955 as an event that appeared without preparation. The museum also covers the background to the conference, its international consequences, the changing history of Gedung Merdeka and profiles of participating countries through multimedia.

A diorama depicts the opening of the 1955 conference. It was created in 1992 in connection with Indonesia hosting the tenth Non-Aligned Movement summit. This later commemorative layer is useful to notice: the museum records not only the original week in 1955, but also how later generations chose to remember and stage its meaning.

Look closely at what different kinds of display can and cannot tell you. Together they help visitors move from the room and its ceremony to the political issues behind it. The displays are strongest when read as connected evidence rather than as isolated keepsakes.

The museum’s broader remit includes a library and audiovisual material on Asian and African history, society, politics and culture, as well as research support. These functions show that the institution was conceived as more than a memorial gallery. They do not mean every resource or room is necessarily part of an ordinary visitor route, so treat the permanent exhibition as the reliable core of a general visit and regard study facilities as a separate purpose.

Exhibition layouts can be refreshed over time, and temporary displays may come and go. If a particular object or display is essential to your plan, confirm what is currently on view before making it the reason for travelling across the city.

Planning a useful visit in central Bandung

Allow roughly an hour for the museum and the hall, then extend the stop if you read every panel carefully or want time to absorb the building. The visit works best when it is not squeezed between distant appointments: the story moves from pre-conference diplomacy, through the week of meetings and its principles, into the building’s afterlife. Rushing directly to the hall for a photograph misses much of the context that makes the place distinctive.

At the entrance, orient yourself to the building and identify the hall associated with the conference. Then follow the material in a way that answers three questions: what conditions led countries to convene, what they agreed to say together, and how Bandung preserved the event afterward. If you are travelling with children or a mixed-interest group, this sequence gives everyone a simple thread to follow without expecting a specialist knowledge of Cold War history.

Jalan Asia Afrika places the museum amid central Bandung’s older civic and commercial streets. It pairs well with nearby architecture because the city outside extends the building’s history into the urban fabric. Braga Street is a natural companion for a short heritage walk; Gedung Sate is another notable landmark, though it is a different stop and should not be treated as part of the museum grounds. For a more museum-led day, compare the conference history with science and earth-history displays at the Geology Museum Bandung, allowing for the cross-city journey between them.

If you arrive by train or from another part of Bandung, plan the final approach to Jalan Asia Afrika as a separate city-centre leg. The station, bus terminals and the museum are not the same stop, and congestion or a chosen transfer can change how long that last section takes. A map pin is useful for the address, but it does not tell you whether walking with luggage or in wet weather will suit your group. For a day built around several central sites, keep the museum and Braga-area stops together rather than crossing town between each one.

The annual date of the conference, 18–24 April, gives the place particular commemorative resonance, and the museum opened on 24 April 1980 during the twenty-fifth-anniversary observance. The building has hosted later commemorative and diplomatic gatherings too. These anniversaries explain why the site continues to matter beyond its permanent displays, but they do not guarantee that a visitor will encounter a public ceremony during a particular trip.

Photography rules can differ by room or display, so follow the signs and staff directions on the day. The same applies to access: Gedung Merdeka is both a museum setting and a nationally significant historic building, and a special event can affect which parts are open to ordinary visitors. Keep your plan flexible enough that a changed route through the building does not undermine the rest of a Bandung day.

Who will find it worthwhile

This is a strong choice for anyone who wants a tangible place to understand decolonisation, post-war diplomacy or Indonesia’s role in international affairs. Students can connect the Ten Principles to a real venue and a defined historical moment. Architecture-minded visitors can compare the building’s colonial origins with its new name and national role. Travellers with only a passing interest in political history may still enjoy the hall, but the exhibits reward those willing to read and connect details.

It is less suited to someone seeking an outdoor attraction, a hands-on activity or a broad introduction to every period of Indonesian history. The museum keeps a relatively precise focus: the conference, the building, and the relationships and ideas surrounding the event. That focus is a strength if it matches your curiosity. If your day is primarily about Bandung’s streetscape, use the museum as an anchor for a historic-centre walk rather than expecting it to fill an entire day by itself.

Questions visitors ask

Is the museum inside the conference building?

Yes. The museum is located in Gedung Merdeka, the building used for the 1955 Asian-African Conference. Its address is Jalan Asia Afrika No. 65 in central Bandung.

How many countries attended the Bandung Conference?

Twenty-nine countries participated in the conference, held from 18 to 24 April 1955. Five countries convened it: Burma, Ceylon, India, Indonesia and Pakistan.

Did the Bandung Conference create the Non-Aligned Movement?

It helped shape the political ideas and relationships associated with non-alignment, but the movement was formally founded in 1961. Bandung is best understood as an important precursor and source of influence.

How much time should I set aside?

About an hour is a useful allowance for the hall and main exhibition. Readers who study the panels or combine the museum with nearby heritage streets should leave more time.

Can I combine the museum with other Bandung sights?

Yes. Its central address makes a walk along Braga Street a natural pairing. Gedung Sate and the Geology Museum are separate stops elsewhere in the city, so account for the journey between them rather than treating them as neighbouring rooms in one attraction.

Related guides: cikapundung river, museum prabu geusan ulun, pasar cihapit bandung, Pos Indonesia Museum Bandung: what it shows, Bandung Colonial Heritage: Buildings, Streets and Sites.